Emotions as compass

Outdoor teaching tents are a kind of defiance.

It has been a while since the last post. The start of a school year during a pandemic has a way of soaking up one’s attention. Daughters looking for jobs and starting their own semesters amidst a pandemic. Friends moving to new cities and starting graduate programs in the middle of a pandemic. Friends ill, brothers nurturing their own children, parents navigating potential transitions…all under the weight of our shared pandemic. It did not need to be this way, of course. In the U.S. we have a leadership that understands no laws other than grievance and the accumulation of power. A virus? Fires? Hurricanes? Wind storms? You can’t sue them away. You can’t wish them away. You can’t have a fixer pay them off or have a tabloid buy up the stories and bury them. You might try to pin the blame on someone else, hide the data and do it some more, distract, and include others in your narrative so as to hide your own failure. But the behaviors that work in human social networks — status, money, grievance, power, humiliation, deceit — they have no bearing on the forces that create pandemics. While water inexorably fills the hull of the boat, the captain from his helicopter claims that the boat is just fine, and his crew, from their own lifeboats, tell the stranded passengers how great freedom is.

Just a few thoughts.

But I will say this. I teach at a liberal arts college in New York. In the lead up to the semester, tents were erected, like domed mushrooms, across the campus. Students trickled in over August. Tested, and tested again. Professors nervously watched the news as university after university after university shut down due to Covid outbreaks. And yet, on the first day of our semester, in the early morning dew, there were the students in their masks under the tents attentive and ready. And there were the professors, masked, with their voices gently spilling out from the tents. I don’t know. It gave me chills, because in some ways in the face of nature, all we have is culture. An assertion not of power, but of accumulated hope — hope passed down from one generation to the next across centuries. “This is what I know, this is what was given to me, and I hope that you will go further.”

These are our visceral perceptions — a Compass Rose, tuned not to the earth’s magnetic fields and rotation, but to value (or need or fitness) and arousal
“Compass Rose Prague” by Mark Morgan Trinidad B is licensed under CC BY 2.0

In my last post on visceral perception, I pointed out the difficulty we have in placing these perceptions. They can appear to be free-floating; given or owned, rather than embedded. If our visceral perceptions are particularly difficult to place within our psyche’s maps, perhaps it might help to consider them as less a feature of a space and more as a type of compass. If our exteroceptive perception is like a bed, our interoceptive perceptions are the IKEA instructions on how to assemble the bed, clean the bed, sleep in the bed. Let’s unpack this idea.

We all know that our perception of taste is somehow “for” ingestion. Or to use the language I’ve been proposing: taste informs and constructs beliefs about sweetness, saltiness, sourness, and so forth. These beliefs mediate our navigation through a landscape of ingestible items. I write this while eating a chocolate walnut cookie and savoring the chalky, musky sweetness that I recognize as chocolate, a cultural artifact born of agriculture, fermentation and global supply chains. Similarly we recognize that our perception of touch relates to and constructs beliefs about comfort, warmth, safety, object qualities, and pain. In Harlow’s famous studies young monkeys preferred “surrogate mothers” that felt a particular way. Any of us that had a favorite blanket or stuffed animal as a kid, will remember that touch was a significant contributor to the safety that was experienced from the object. We know that our perception of vision concerns beliefs about distance, size, color, shape, and so forth.

Does the child perceive depth? Does the child fear the perceived cliff? We know that visual perception is for one of these. But where does the fear come from? What is the origins of its perception?
“File:NIH visual cliff experiment (cropped).png” by From Gibson and Walk (1960). Copyright 1960 Nature Publishing Group. is licensed under CC BY 4.0

Consider for example, the visual cliff experimental paradigm. Here, an animal (or young child) is placed on a small platform, a portion of which has a strong pattern covering its surface, and a portion of consists of a piece of plexiglass with the same pattern in view on the floor below. A caregiver stands on the other side of the plexiglass, and beckons for the animal / child to approach. The experimental paradigm has primarily been used to examine when perceptions of depth 1) develop and / or 2) when they relate to beliefs about safety. 

But notice what I did with each of my examples. Chocolate was not only tasted but “savored.” Touch did’t simply relate to texture but to “comfort.” And vision doesn’t simply perceive depth (itself a constructed belief), but also relate to feelings of “risk / safety.” Savoring, comfort, and risk — these are feelings, visceral perceptions that in one form or another layer on top of the world a personal sense of relative value.

So, let’s start bluntly and simply. What type of perception are feelings? They are the category of perceptions that relate to and construct our beliefs about value and arousal. 

Let’s get a bit clearer on terms. By value, here, I roughly mean valence or desirability of a perceived situation – the degree of pleasantness / unpleasantness. When something produces a perception that has a positive valence, then we “want” it. We “appreciate” it. We “enjoy,” “like,” “envy,” and / or “covet” it. Conversely, when we perceive a negative valence about a feature of the external world, we “hate” it. We find it “unpleasant,” “obnoxious,” “nasty” and / or “unsatisfying.” In either case we engage in behaviors that will maintain, protect and nurture features with a positive valence, and we engage in behaviors that eliminate, avoid, and alter features with a negative valence. 

Aside 1: By the way, dissatisfaction with the one’s self suggests that we perceive our selves as an external object much like we perceive a slice of cake as an object. There is the perception; and there is the feeling. Whether and when self-perception arises is a fascinating question. Does a child perceive itself as an external object amenable to alteration? Does an elephant or a dolphin? On the other hand, this says nothing about the emotional valence attached to the purported self (beyond self preservation). After all, one one of the tropes of adolescence is the emergence of a visceral perceptions of worth that layer value beliefs onto the self. It’s a complicated topic, but if you are interested start here, here, and here. For the purposes of this blog post, though, lets just recognize that the perception of a self is a separate perception than the visceral beliefs that we experience relative to that self. As ever, too, we should expect variation around these two categories of perception. Some aspects of sociopathy (i.e., antisocial personality disorder) and narcissistic personality disorder, for example, might suggest differences in certain normative, visceral perceptions of their selves (for Narcissism, for sociopathy ]

From Reiss and Marino (2001). Figure 4 with caption as follows:
“Mark-directed behavior by subject to a real mirror immediately after release from being marked. A narrow Plexiglas mirror, 41.9 cm × 101.6 cm × 0.32 cm is affixed in a vertical orientation to the exterior of one of the reflective walls (Wall 6). During this session, the mirror was the best reflective surface in the subject’s environment. The faint white line on the wall indicates the location of mirror. (B) The dolphin at Wall 1, the best reflective surface in the session, exhibiting late sham-directed behavior: a continuous and repetitive sequence of 12 dorsal-to-lateral-ventral flips exposing the location of the sham-marked area of his body, the underside and tip of the right pectoral fin, to the reflective surface. This unusual behavioral sequence continued for 32 sec.”

Back to our terms, though. If value refers to valence, to what does arousal refer?  Arousal refers to the relative energetic readiness of the individual. This readiness might be actual or expected. For example, we might find something incredibly enjoyable, but find ourselves simultaneously in a state of low arousal. Everything is finished and nothing needs to be done! Think of lying in a comfortable bed on a Saturday, knowing that you don’t have the day off, for example. Similarly, we might find something incredibly enjoyable, but find ourselves in a state of high arousal. Think being in the zone while playing basketball or jumping up and down at a live show or going on a rollercoaster. Conversely, we might feel a situation as unpleasant, while being mildly aroused. Think boredom or mild irritation directed at a housemate who forgot to pick up a requested item from the grocery store while out running errands. What though if the housemate regularly forgets to pick up requested items? Well here, the expected energetic output is going to be higher. After all it will take more energy to alter the situation. Irritation becomes anger. Or think of the anxiety connected with being unprepared for a talk that is a month away vs. the panic triggered by a dream in which you are unprepared for a talk that needs to be given in a few minutes (while only partially dressed, of course). 

From Russell (1980) Figure 2. This is a best-fit interpretation of subjects rating the relative similarity of the listed emotion terms.

Using the dimensions of value and arousal, psychologists have been somewhat successful in categorizing a broad array emotions. Here is a statistical map created by James Russell in 1980. I say statistical, because it is a map that provides the mathematically simplest categorization of 28 “emotional” terms. Essentially, subjects were asked to either rate the relative similarity of terms or, in this case, to position the terms on the edge of a circle. When this is done emotional categorizations tend to be well-described by the dimensions of arousal and value / valence. More recent work has found that these two dimensions are descriptive even when more objective measures of emotionality are used (e.g., skin conductance, fMRI’s, etc.)

So, one way of approaching visceral beliefs is to hypothesize that they are for value and anticipated arousal. We might say that they layer “meaning” on top of our exteroceptive perceptions, but we should be careful with our claims. Our exteroceptive perceptions are already “meaningful” in the sense that natural selection has designed us to be a species that sees, smells, and hears particular features in of the universe. We do not see magnetic fields or polarized light and we do not hear the ultrasonic calls of bats. Without tools to aid our perception, these features of the world have no “meaning” for our species. Similarly, we are designed to “feel” the world in a particular way. We value status and social belonging and hence perceive feelings that relate to these variables as “meaningful,” while a ferret, ant, or hawk might not. Our feelings (visceral beliefs) concerning social “anxiety” or “covetousness” or “validation” might be psychologically real, but they are ultimately as arbitrary as the color red. In other words, our interoceptive perception doesn’t add meaning so much as orient our selves to the meaning that natural selection has embedded within our psyches.

A Clarification of Terms

In my recent posts I have been using the term “feelings” as interchangeable with “visceral beliefs” and with “emotions.” Let’s be a bit more careful. I am using “feelings” in the colloquial sense as a placeholder for what someone might term emotions and drives. Emotions are perceptions that we label “happiness,” “sadness,” “jealousy,” “anger,” “depression,” “anxiety,” and so forth, while drives are perceptions that we label “hunger,” “thirst,” “lust,”etc. Personally, I think that there are good reasons to lump emotions and motivations into a single perceptual category.  I’m fully aware, though, that visceral “feelings” encompass many more phenomena than just emotions and motivations. For example, here is a “map of subjective feelings” produced by Nummenmaa et al (2018).

From Nummenmaa et al (2018). Figure 2. In the analytical vernacular, this figure is given by both an average distance analysis and a cluster analysis. Colored points indicate statistically significant clusters (grey being non-clustered or neutral.

Dizziness, headaches, memorizing a list of terms, and daydreaming all possess particular visceral qualities – in other words, these sensations feel a particular way. The same goes for the sensation of forgetting something previously remembered. In their study, Nummenmaa et al suggest that these visceral feelings can be meaningfully categorized (using a variety of measures) and distinguished from other “feelings” such as anger and hunger. 

I don’t necessarily agree with Nummenmaa et al’s clustering and terminology, and I have issues with some of their methodology. For example, we’ll see in a few posts that “wanting” needs to be distinguished from “pleasure,” despite the fact that they are placed within a single cluster here. Also, the study crudely collapses the proprioceptive qualities of behaviors (e.g., eating, shivering, breathing) with language categorized, interoceptive qualities of visceral states (gratitude, despair, sympathy). However, the point of the Nummenmaa et al’s article is well-taken. Our psyches engage in quite a bit of visceral perception. In fact, on some level all perception is visceral, given that it is instantiated in the biology of our bodies. Those philosophers who would distinguish “feelings” from “rationality” would do well to consider whether rationality isn’t simply a particular state of feeling. Similarly, those moralists who would separate body from soul based on the subjective qualities of a “religious experience” would do well to remember that the subjective experience of a religious experience is housed in the body. This says nothing about the origins of those perceptions. If I see a UFO, then it is possible that I am seeing a legitimate alien craft, and if I feel touched by a god, it is possible that I have legitimately been touched by a god. On the other hand, these perceptions, though subjectively real, might be illusions, delusions, or the random firings of neurons during a dream.

For the purposes of the current set of blog posts, though, when I refer to “feelings,” I am using the terms as synonymous to “emotions” / “motivations.” And when I refer to “visceral beliefs,” or “visceral perception,” I am also referring to emotions / motivations. I am not simply using the term emotions, though, because my point is to anchor this concept within both perception and the body. Emotions are perceptions of the body – but not a body as a piece of meat, but a body as a nexus of evolutionary and contextual pressures.

Emotions as Possession

Emotions are a form of perception. They are sensations that provide information about the external world, and as perception they are also beliefs about the external world – albeit beliefs that I have been terming “visceral.” So, let’s keep trying to get a handle on how visceral percepts are different from those connected with sight, smell, etc. In this post I’m going to highlight what is known as the assignment of credit problem.

This is a photo of me and my daughters back in 2000 on a trip to Italy. Some of us are travel tired. Some of us are smiling for the camera. And some of us are asking “wuzzat!”

When my daughters were little, around 2-3 years old, I used to carry them on my shoulders while walking down the sidewalk. With their head perched just next to mine, they would often point out at something and say, “Wuzzat?” “A trash can.” “Wuzzat?” “A porch.” “Wuzzat?” “A doggie.” “Wuzzat?” “Ummmm…” What is the word for the structure that supports a swing at the playground?

I bring this story up, because we usually think that our thoughts and behavior are a direct response to the world. We see a red wheelbarrow, we point at it, we name it, we approach it, and lift its handles. We hear a sound to our left, and we turn our eyes to see the friend that has just called out to us. We smell fresh bread, and walking into the kitchen, find a loaf just out of the oven. In other words, our perceptions allow us to build maps of reality…maps that we trust as somewhat true. Yes, artists and philosophers have famously pointed out that these maps are not equivalent to reality — that they merely represent reality. Pointing at the wheelbarrow, whether by word, image or gesture, is not the same as the wheelbarrow, itself. Nonetheless, these mappings contain a high degree of confidence. The image of a pipe is not the pipe, but it is contains a high degree of “pipe”-ness.

This painting by Henri Magritte is justifiably famous as it succinctly makes the point that representations are not the things, themselves. The painting of the pipe contains features of a pipe — color, shadings, etc. — but it is not an actual pipe. Similarly, the percept that our mind registers is also not an actual pipe. It is a belief in pipes — that they exist, have been experienced, have certain qualities, etc. A very simple observation, but one that bears “keeping in mind.” Now, imagine applying the same logic to our emotions. To what do they point?
“Le Trahison des Images – Rene Magritte” bydailymatador is licensed under CC BY-ND 2.0

Emotions, though, don’t quite work this way.

Imagine hearing a sound to your left, someone calling your name. “Mark!” You turn your head to the left, but don’t see anyone. The room is empty. You hear your name called again, though. “Mark!” So, you get up and go over to the nearby table. Is there a speaker here? No. “Mark!” You look under the table; you look up into the lampshade; you tap the side of your head a few times; you press your ear up against a wall. …Nothing. “Mark!”

This is closer to how our feelings call out to us, and it is an important difference between “normal perception” – vision, hearing, smell, etc. — and the perceptions that we term “feelings” – hunger, pain, happiness, fear, disgust, and so on. Namely, if you see a red wheelbarrow among the chickens, you can walk over to it and touch it, measure it, draw it. The red object that you see comes from and is caused by the reality of the wheelbarrow. What though of the feelings that you register? What are their origins? Why are they happening? Do they belong to me?

Bethel, Ohio 3000 years ago? Actually, it is Agamemnon and Achilles riled up and ready to come to blows. Agamemnon will claim that his actions were not his, but rather the result of spiritual possession, i.e., inconvenient emotions. This image is a mosaic uncovered in Pompei and is in the public domain. Original mosaic housed at the Naples Museum.

There is in fact a long history of denying that feelings belong to the individual. Here is a famous passage from Homer’s Iliad that captures this externalizing of emotions. Agamemnon, the main chieftain of the Greek forces, in a fit of jealousy has taken for himself a war prize (i.e., the woman, Briseis) that “rightfully belongs” to Achilles. In response Achilles has taken his warriors and refused to participate on the battlefield. In this passage, Agamemnon and Achilles are reconciled, with Agamemnon blaming his actions on emotions planted in him by Zeus, Erinys and Ate. 

Full often have the Achaeans spoken unto me this word, and were ever fain to chide me; howbeit it is not I that am at fault, but Zeus and Fate and Erinys, that walketh in darkness, seeing that in the midst of the place of gathering they cast upon my soul fierce blindness on that day, when of mine own arrogance I took from Achilles his prize. [90] But what could I do? It is God that bringeth all things to their issue. Eldest daughter of Zeus is Ate that blindeth all—a power fraught with bane; delicate are her feet, for it is not upon the ground that she fareth, but she walketh over the heads of men, bringing men to harm, and this one or that she ensnareth.

The Iliad, Samuel Butler Translation at Tufts Perseus

In other words, Agamemnon is suggesting that the conflicted state that caused his actions — the pride he felt in himself, and the jealousy he felt toward Achilles –originated from the gods. The emotional turbulence is not owned by him; it does not represent him; but rather was imposed on him by outside forces.

This is actually a pretty common attitude. Here is another passage taken from a work some 1,700 years later. Hamlet (Act V, Scene ii). In the passage, Hamlet is preparing to duel with Laertes, the son of a man that Hamlet has earlier mistakenly murdered in a fit of paranoid, antic rage. Prior to the duel, Hamlet publicly asks Laertes for forgiveness. However, he does so by essentially pleading insanity.

And you must needs have heard, how I am punish’d
With sore distraction. What I have done,
That might your nature, honour and exception
Roughly awake, I here proclaim was madness.
Was’t Hamlet wrong’d Laertes? Never Hamlet:
If Hamlet from himself be ta’en away,
And when he’s not himself does wrong Laertes,
Then Hamlet does it not, Hamlet denies it.
Who does it, then? His madness: if’t be so,
Hamlet is of the faction that is wrong’d;
His madness is poor Hamlet’s enemy.

Hamlet from the Complete Works of Shakespeare housed at MIT

Hamlet’s understanding of his own emotions is essentially no different from Agamemnon’s. It’s the “I don’t know what came over me,” or the “it wasn’t me, it was the alcohol speaking.” It’s what will lead philosophers to place feelings and emotions outside of reason. Animals might possess emotions, but we humans are capable of reasoning…except when those pesky animalistic emotions get in the way.

Feelings, though, are simply another type of perception. We don’t say that vision or taste is somehow animalisitic. We simply accept that vision and taste are processes that help us construct and relate to the external world. Feelings are no different.

Except they are.

Imagine that when my daughters pointed out at the world and exclaimed, “Wuzzat,” imagine if I, their father, could not directly see what they were pointing at. “Wuzzat?” …pain? …hunger? …sadness? I don’t have direct access to their perception, so in this situation, I would have to ask for more information and make an educated guess. Is it coming from your belly? Your foot? Does this help? Does that? In other words, feelings, i.e., visceral perception, are different from other types of perception in that they harder to localize within a Euclidean, causal space. A ball leaves a bat and flies through the air in a particular trajectory. We see this trajectory; we hear the connection of the bat with the ball; we sense the tactile impact of the ball hitting a glove. And yet, just describing this trajectory took years of effort by physicists. But what is the trajectory of an emotion? That sadness or happiness or anxiety or anger? What are it’s contours? In what space does it reside? What is really causing it and what forces bend its coursings? 

Ceci n’est pas une emotion. I say that jokingly…sort of. The point is that the representation of interoceptive perceptions is not at all straight forward. Spoken language, after all, involves exteroceptive cues. Written language exteroceptive cues. What is the appropriate language for translating emotions? Photo is of a sculpture, “Composite Wing” by Jon Shearin, which is part of the Art on Main Exhibit in Chattanooga, TN

In psychology, this ambiguity of cause is sometimes referred to as the “assignment of credit” problem. The assignment of credit problem is a mapping problem. At any given moment perception offers up a cacophony of inputs. Depending on a task, our psychological filters remove dampen and discard certain inputs, magnify others, behaviors occur, and the world changes. The assignment of credit problem has to do with the psyche’s task of determining need, determining cause, and determining a path that satisfies need. What exactly caused the world to change? What inputs were relevant? What is the shape of the closet in which you are placing the hangers of your belief?

There are many classic experiments in psychology that get at the assignment of credit problem. Importantly, though, and relevant to understanding the landscape of visceral perception, psyches rarely simply guess. Rather, animals come into the world with particular biases. [1] Rats shocked after drinking flavored water while lights are flickering, will “assume” that the flickering lights are the cause of their pain. But rats made nauseous after drinking flavored-tasting water while lights are flickering will “assume” that the taste is the cause of their distress. (Garcia & Koelling, 1966. See this article for a description and some general applications.). [2] Male college students asked to complete a survey by a young woman on a high footbridge are much more likely to call that woman later, than if she approached them on a low footbridge. The most accepted explanation is that on the high bridge, the young men “assume” that their anxious arousal is caused by the woman, rather than by the bridge height. (Dutton & Aron, 1974. The phenomenon is often termed “misattribution of arousal,” and is the reasoning behind the folklore notion of taking a date to a scary movie or to an amusement park as a means of getting them to “like you.”

For the purposes of this blog post, though, let’s just appreciate how much guessing our psyches engage in. Or if not guessing, then biased cartography. For the rat, either or both light and taste could be the cause of their discomfort. But the “space” in which this visceral perception exists causes nausea to be ascribed to taste and shocks to be ascribed to visual cues. There was no choice on the part of the rat. No reasoning. A visceral perception appeared from nowhere and the psyche attributed it to a particular antecedent. Spiritual possession, then, or natural selection? And of course, in both cases the rat is wrong. The nausea is not related to taste, and the pain is not related to flickering lights. These connections are an illusion created by the experimenter. Nonetheless, the feelings are undoubtedly real for our poor rat and exist to inform the animal of characteristics of the environment and actions that impact these characteristics.

By the way, this notion of biased cartography is captured in psychology by notion of a “rule of thumb” or psychological “heuristic. For example, items that we can more readily remember are felt to be more probable. This is termed the “availability heuristic” and influences the judgement that getting on an airplane is riskier than getting in a car. First of all, we get in cars much more often than we get on airplanes, and second, we are more likely to have read about airline accidents than car accidents. Therefore, the “availability” of a memory of an accident is higher when getting on a plane than when getting in a car. Or as another example, losses elicit more arousal (i.e., “feeling”) than equivalent gains, which leads us to avoid losses and demand more for items in our possession than what we paid for them ourselves. I might feel that pen is worth $1.00 when you have it, but feel like I should receive $1.50 when it’s mine. This is known as the endowment effect.

The endowment effect, the availability heuristic, and other seemingly structural mental short-cuts all relate to the assignment of credit problem. Our visceral perceptions are something like phantoms in a house of mirrors, apparently free-floating and existing only to confuse the clarity of “true,” “rational” perception. And yet there is a form to the space in which they reside. A structured supply chain built up by natural selection in the same way that vision has been built up by natural selection. That emotional vigilance you feel? Well, it might be love or it might be fear. As with vision, natural selection and your individual experience will step in to help you make the bet.

This is a loaded dice from Medieval London. The image shows the six sides. Good luck getting a 1, 2 or 3! Our visceral perceptions exist in a similar, biased landscape. Best guesses being assembled that map “need” to cause to action.
“File:A late Medieval to Post Medieval bone cuboid false dice dating 15th-16th century. (FindID 872260).jpg” by The Portable Antiquities Scheme, Stuart Wyatt, 2017-10-30 14:26:13 is licensed underCC BY 2.0

Emotions as Weather

First ever image of a black hole. This single image involved the collaboration of astronomers across multiple continents, language groups, and cultures. It involved analytical and technological frameworks developed across generations. Credit: Event Horizon Telescope Collaboration

As a psychologist I sometimes experience despair about the human condition. Our species is capable of imagining possibilities beyond the capabilities of any other species on the planet. Of this there is no doubt. I say this as someone who studies comparative cognition and is well-aware that non-human animals have mental capabilities that generally exceed our expectations (e.g., see here, here, here, and here). That said, we humans are extreme in our capabilities. Indeed, for all we know, our imaginations exceed anything in the universe. We can imagine a telescope lens with the diameter of the planet and use it to create a photo of a black hole 53 million light years away. (By the way, here is an explanation of why the image matches general predictions.) Heck, we can imagine that black holes exist in the first place. We can construct narratives that guide the application of pigments to the Sistine Chapel. We can control the flow of electrons and electromagnetic waves so that words appear on a computer screen and our garage doors open with the press of a button. And we can imagine an ethics that centralizes healing, sustainability and human dignity and we can strive to use this ethics as the organizing principle for our behavior. These are some of the things that our species has shown itself to be capable of. 

And yet recently folks around the U.S. were claiming that the corona virus is a hoax and were going on ANTIFA witch hunts. Here, is a bus belonging to a bunch of hippies being impounded by police out of “ANTIFA paranoia.” The owners of the bus did nothing but peacefully show up to help BLM demonstrators. And here is a U.S. senator, who should know better, cravenly joining in on the hysteria. It’s easy to laugh at this sort of silliness. Except that when laughter meets violence, violence tends to win. Consider Bethel, Ohio on June 14, 2020. After a group decided to hold a march in solidarity with national Black Lives Matter protests, biker gangs and others descended on the town.

Sunday’s protest, billed as Bethel’s Solidarity with Black Lives Demonstration, was expected to have a turnout of 80 to 100 people. But soon, per a joint statement by the village’s mayor, chief of police and administrator, “several motorcycle gangs, back the blue groups, and second amendment advocates” caught wind of the event and decided to show up, armed with guns and bats.

An hour before the event was scheduled to begin, village officials said, 250 motorcycles flooded the area. By the protest’s official start time, the demonstrators were outnumbered and around 800 people were present.


Link to Story

Guns and bats to “counter” a march in support of basic human dignity. Why? Or for that matter, why almost 100 years ago did a mob of white residents rage through Tulsa, Oklahoma in a pogrom of racial murder and burnings? Why 23 years before that did almost the same thing take place in Wilmington, NC – a white supremacist coup d’etat that saw the murder and expulsion of black residents from the community?

This image is a screen capture taken from someone filming a portion fo the Bethel protest / counter-protest. It appears to show a crowd of “bikers” that have confronted a woman. After back and forth shoving, she is punched to the ground. Original video here.

I’d be the last person to claim that there are easy answers to these questions. At the same time, though, it’s imperative that we at least look for answers. In this post I’ll consider the possibility that part of what’s going on is related to our emotional perceptions and how they influence our explicit reasoning and behavior.  

As I’ve pointed out in previous posts our beliefs about the world are constructed as a set of interlocking maps – maps that at a neurological level describe supply chains of assembly, but also maps at the psychological level that describe the construction and association of our perceptual beliefs with potential actions and outcomes. If I “see” an object to be a particular size, then I prepare actions to interact with the object in a particular way. Similarly, if I “see” a group of individuals as a threat to my community, then I will prepare a set of actions to interact with that threat. In both cases, my perception might be incorrect. The object might not be the size I perceive it to be. The perceived threat might not exist. The problem, of course, is that the origins of our beliefs – be they feelings or visual arrays – are often opaque to us. Further, we cannot simply wish our perceptions away. To hark back to the famous yellow / blue dress – if you see the dress as blue, you cannot simply wish to see it as yellow. Similarly, if you feel an emotion, you cannot simply wish that emotion away. Perception does not work this way. 

I have suggested that perception IS belief. This is true of our classic five senses, but it is also true of visceral perceptions like hunger, vertigo, anger, depression, anxiety, and so on. These visceral perceptions are visceral beliefs. When I “feel” hungry, I believe that I am hungry. When I “feel” angry, I believe that I am angry. 

One of the yawning holes to be filled in psychology, though, stems from the poverty of tools we possess for understanding visceral beliefs. We might be able to take our telescope out and see Jupiter. We can measure its contours, take a photo, and describe its colors. We can read about its moons and how radiation and gravity from the planet rips at Europa. A feeling, though. What is it, exactly? What are its dimensions? How does it fit into the landscape of the psyche? On to what does it map? How does it behave? It’s as if we’ve been given the keys to a machine that can kill us, but we don’t know which buttons and levers do what.

Weather or emotional conflagration?
“Chicago Weather Center radar: Aug. 23, 2011” by Amy Guth is licensed underCC BY 2.0

Or, to switch metaphors and broaden the scope, the psychological science of emotions is akin to being a meteorologist 200 years ago. An individual, a community, and a country have emotional systems that roil and impact the social landscape. Like a weather map of cold fronts and storms, visceral beliefs converge, dissipate, and ravage, but also like weather visceral beliefs are predictable. We just don’t know enough. In this sense “guns and bats” are less “crazy” than sadly predictable. As are massacres, degradations, and brutality. Our tools for seeing, measuring and mitigating these storms is at its infancy, which is ironic given the relative importance for understanding this sort of perception as compared to, say, understanding how our sense of color comes about. 

So, let’s spend of moment to unpack a few ways that our visceral perceptual system, i.e., our feelings, are unique relative to our more well-known perceptual systems. I’m going to just pull out three attributes: assignment-of-credit, valuation, and the role feelings play in post-hoc reasoning.

An Easter Mosaic

Ringing the bells in Prague after 9/11. I grabbed the photo in 2001, and I am not sure of the source.

I’ll get back to the psychology of “feelings” soon. In the meantime, here is an Easter interlude.

When the Trade Center Towers came down in 2001, I was living in Konstanz, Germany. I was up at the lab at Uni Konstanz. A sunny afternoon, and I was checking the New York Times site like I did most afternoons. There it was: a breaking story of a plane that had accidentally collided with one of the towers. I remember it as just a headline, but after a refresh there was a photo with a hole and smoke. Then the site slowed to a crawl, and apprehension set in, followed by the reveal of a photo showing that the second tower had been hit. That’s when I left the lab and rode my bike back home to be with my then wife and my daughters. There we huddled to watch the news on the television. The images of falling bodies. The gaping holes vomiting smoke. Another sudden jet crashing into the Pentagon in D.C., a scramble of reports about additional attacks, additional planes, firefighters rushing up stairwells, and the scrambling of military jets. And then, one after another, the two towers fell.

As much as I remember the vulnerability, shock, and fear for my young daughters, what I also remember is the immediate solidarity in the days that followed of ordinary strangers. German colleagues and students who checked in on me and my family. The city-wide moment of silence. The flowers left at embassies. The candle-light vigils. The tolling of bells.

Munich, Germany after 9/11 2001. Also an unknown source.

Over the years, Easter for me has come to signify an acknowledgment of sacrifice in the service of healing and renewal. It’s the doctors, nurses and healthcare workers who have thrown themselves into the breach of the COVID-19 pandemic. The parents and grandparents who cared for us when we were children, washing our clothes, wiping our noses, and massaging tightened calves in the middle of the night. Friends who have helped in moves. The ordinary workers in Konstanz, Germany who took a moment to stand quietly at noon in solidarity with those hurt and killed an ocean away in the terrorist attacks of 9/11. Easter celebrates these behaviors: small, often betrayed, but load bearing. This after all was the soil of Christ’s ministry: the peacemakers, the persecuted outcasts, the mourners, the ordinary. And the lesson of Easter is that despite the mocking humiliations of the powerful — the taunts of “Freedom Fries” and “Old Europe” or the resistance to covering the medical bills of first responders — despite these attempts to silence and punish and deaden, the spring soil will continue to answer the sun’s call.

This particular poem I wrote as a sort of Easter mosaic, and it is dedicated to a couple, Juan and Ute Delius, who showed my family tremendous kindness when we lived in Germany.

Lazarus

(For Juan and Ute)

 

 

1.

Draw thread through skin

numb & engraved in winter.

The grief-sung vertebrae

of wind chimes at night,

the ululations of church bells

over field and orchard — once

pear, plum, wheat and apple.

Come, then, senescence and hum your metal.

That sing-song gestern caught gaunt and callow

like moths circling the harbinger of heaven,

like constellations sirened numbly forward —

a music of nets in which the dolphins thrash

when the lines are drawn in, anchored, and pulled tight.

 

 

2.

This heft of enwrapped waters,

draw upon convenient draw,

caught trumpet of consciousness

liquored like a dog at its wounds

or the way the white wake

of a plane, far above,

silently streams, spreads and splays.

A depth that contains the scattered flurry of vision,

arranged like pastels haphazard in the box.

The cargo of a former life carried elsewhere,

memories resting like water in the pitted roads

where birth gives way to the night-time swarms,

the jazz of corruption begat from reflected heaven’s breeding.

 

 

3.

Each moment tapped,

pregnant and fitted,

as if laying stone

to make a road.

So many eyes staring

like a peacock’s bloom,

an exchange of wild flowers for a

a sunset spread red as wine

     Produce in the church square

Potatoes        Carrots and Apples

      Kilo weights, raw and cold

Flesh from the butcher

sliced and jointed,      jointed and drawn.

 

 

4.

Too sweet for some,

Like a custard’s breath –

hard in learning,

awkward in fact.

Unbecoming’s active pursuit

like a pole to the shadow cast —

an anchored still to the sun’s pass,

that cloth that wipes over and over.

Over the ever-opportune weeds that burst,

yes, burst forth into their calling –

a pack of girls keen to see

upon whom the glance will fall.

 

 

5.

Yes, with bracken

grows nettle.  Wrappers

and peels. The plastic cups.

Gravy, puddings, ketchup.

Cars and trucks,

and cars and trucks,

and trucks and trucks.

24 7, death she moans this rush,

planted heavily and sucking breath,

while the three ladies, their buttocks sway

the gospel of fate, a necessity bellowed out,

rough ropes in hand, with each pull and release –

thus, they frog-grunt their imprints of industry.

 

 

6.

Tongue-tasted,

coins swallowed

and the candle lit.

Night ember, social safe

and tucked in bed.

Now cargoed purpose sleeps,

The tethered morning chorus

guarded and groomed, mulched and clipped.

String of fate and string of rescue, spooled

and strung to where the delivery trucks come,

to where the workers call at the dock —

those many voices of dying, calling and calling

in their approach to the maze’s bloated point.

 

 

7.

This, night’s new year.

A cast of sparks —

And then, percussive born.

And the bells beat.

And the bells beat

more flares of midnight

crackling out light

   Roosted buildings, cobbled street.

Hollowed.  Inverted.

      Explosive moments.    

Distant reports

For a city that wrestles drunkenly forth

in answer to the fireworks from across the water.

 

 

8.

Red among yellow.

Red among green.

Sailboats laid upon the lake

hot air balloons above

the distant mountains

roaring fire and straining at ascent.

How loss becomes heartbeat

swaddled in such feminine hands.

How familiar dawn, stray thread comes

with the strangled raucous of crows,

hop-hopping, and lifted up

into the trees that buckle the graveyard’s fence.

Your eyes have been pocketed across an ocean of desire

bilk and seepage with the risen.  Again, Lazarus, rise.

 

 

9.

Rise frogs of spring.

Each season a thought —

patterned Nature’s pull.

Rise gravestones.  Rise stars.

Constellations of dirt,

mausoleums of heaven,

risen ferment and fallen flame.

Rise the ants to work their mounds.

Rise the teller to auger her grounds.

Rise the children on their ways to school,

Lent back and hand-less, coasting bikes

before the rain that will spackle the lake.

Shutters shut.  Eyes open.  Rise Lazarus.  Rise.

 

My daughter, Delphi, chasing a soap bubble when she was little.

On Being a Neighbor

The other week I was having lunch with a friend. This was just as fear of the COVID-19 pandemic was beginning its tidal flow here in the U.S. – an approaching moon’s gravity pulling at our collective conscious. My friend asked me what I thought it would mean to be a “good neighbor” during a pandemic. It’s a great question: what does it mean to be a good neighbor? Here is Mr. Rogers’ version of the question:

I have always wanted to have a neighbor just like you,
I’ve always wanted to live in a neighborhood with you.

So let’s make the most of this beautiful day,
Since we’re together, we might as well say,
Would you be mine?
Could you be mine?
Won’t you be my neighbor?

Won’t you please,
Won’t you please,
Please won’t you be my neighbor?

The request to be a neighbor is a question of values, not beliefs. To answer Mr. Roger’s question in the affirmative is to choose a value, because to choose to be a neighbor is something independent of feelings. In fact values, as I am defining them, exist in spite of feelings. Let me explain what I mean.

In many of the posts I’ve put up on this blog so far, I have spoken of beliefs. I’ve suggested that perceptual illusions exist because of “beliefs,” and that reflexes exist as “beliefs,” and that emotions are “visceral beliefs.” When a doctor taps my knee, and my foot jerks forward, this behavior shows a “belief” that maps the stretch of a ligament with falling. When I see the Mueller-Lyer lines as being of unequal length, this judgment shows a “belief” that maps angles to depth. And when I feel fear or anger or disgust, these are visceral beliefs that map a situation to perceptions of particular types of risk and that elicit avoidance / elimination behaviors. 

Here is an important distinction, though: beliefs are not the same as values. 

A belief is a perceptual conjecture or a hypothesis about the causal structure of the world – one that originates from each individual’s unique set of experiences and/or our species’ shared evolutionary experiences. Beliefs are inferences updated (or not) from experience. Values, though, are aspirational. They are less a conjecture about the world, and more a hope for the world. This is a crucial point, especially when it comes to our emotions / feelings. So let me state it again: feelings (visceral beliefs) are not values.

We have visceral beliefs, i.e., “feelings,” that pertain to status, relative self-importance, relative need for resources, and so on. If I feel that I am of a higher status than another individual, I might also feel that my needs are more important, or that actions that harm that other person are justified. These beliefs are not so much chosen as they are free-floating in the contingencies of our environments. (Remember, “contingencies” refer to the selective forces of history). Just as we don’t choose to see a visual illusion, we don’t, in the moment, choose our feelings. They simply happen.

Feelings or values?
A group of teenage girls scream obscenities in front of their Montgomery, Alabama school against desegregation, 1963. (Photo by © Flip Schulke/CORBIS/Corbis via Getty Images). Used with permission.

Values, though, are those principles which we have self-chosen, from within the boundaries of our individual contexts, of course. They define how we would like to act. They are our ideals — the person we would hope to be. 

Values might coincide with visceral beliefs (feelings) and/or they might conflict with these beliefs. It is easy to be gracious from a position of strength. Less so from a position of vulnerability. This is why Rambert in the section from The Plague says, “You two,” he said, “I suppose you’ve nothing to lose in all this. It’s easier, that way, to be on the side of the angels.” Rambert, remember, has been seeking to escape the quarantine of the plague in order to return to his love in Paris. He is stating that it is easy for the Rieux and Tarrou to courageously stay and take care of the sick because they have no cost. In this sense, their beliefs align with their values. For Rambert, though, the visceral love he feels for his wife is at odds with staying to help combat the plague. At the end of the section I provided in the last post he learns that he is mistaken.

I bring this up because crises trigger feelings – some heroic and some shameful. We have leaders inciting fear and directing it at others. So, we have President Trump speaking of the “China Virus,” we have Secretary of State Pompeo speaking of the “Wuhan Virus,” we have senators darkly hinting that SARS-CoV-2 was released from a secret Chinese lab, and we have accusations from Chinese officials that covid-19 was brought to China by the American military. Closer to home (for me, at any rate), we see individuals attempting to escape the horror of widespread, indiscriminate death by linking it to “positives.” So, the President of Vassar College recently tweeted out “How many lives has coronavirus saved in China due to less pollution? Ironic” (Tweet has since been deleted). To her credit she immediately apologized, and I suspect she regrets the feelings that motivated the original posting. Further, it is also quite possibly feelings that lead one to “smugly” point out that the “Spanish Flu” that killed millions world-wide in the early 20th c. occurred in Kansas, or suggest that isn’t it ironic that the terrorist attacks of 9/11/2001 momentarily decreased oil consumption because of the aviation shutdown. As if this helps anything — raises one’s status or makes one appear more knowledgeable.

Again, to refer back to the quote from The Plague, it is indeed like a single record that gets played over and over and over. Blame. Diversion. Dry intellectualization. The desire to be “right.” However, I would be hesitant to judge any of these reactions. After all, although the the reactions are perhaps problematic, they are also tragically human — behaviors, comments, and tweets driven by the machinery of our Homo sapien psyches.

Here, after all, is the reality of the COVID-19 pandemic in Italy. Warning, the video shows individuals suffering…it also shows doctors and nurses doing their part to care for those who are suffering. And here is an image that shows a row of military vehicles lined up along an Italian street. Are they bringing in needed resources? No. They are carrying away bodies.

And here is an image of Dr. Li Wenliang, who died in the service Chinese patients, many of whom also succumbed from COVID-19. As Rieux says in The Plague, “There’s no question of heroism in all this. It’s a matter of common decency. That’s an idea which may make some people smile, but the only means of righting a plague is common decency.”

These images evoke feelings, and some of those feelings are unpleasant, meaning our psyches recoil and search for ways to escape their input. Blame. Raise the drawbridge. Dehumanize. Ignore. Become wary. And these reactions may in fact align with one’s values. They do not, though, align with values that recognize every individual, regardless of status and tribe membership, as unique, valued and equally bounded by death. Values centered on healing, self-sacrifice, and the preciousness of our limited time, rather than self-protection and self-aggrandizement.

Does psychology have anything to say about this interaction of “feelings” and values? It does actually, and I’ll get to that in the next post.

The Plague

“Albert Camus” by DietrichLiao is licensed under CC BY-SA 2.0

One of the most powerful works of fiction I have read in my life is The Plague by Albert Camus. It was assigned as part of a Religious Studies course that I took in college. Thanks Professor Twiss!

The Plague describes the impact of an epidemic that sweeps through a city. Slowly members of the community begin to die, and then more become infected, and the city is placed under quarantine. Sure, the story may be read as an allegory for the spread of Nazi ideology across Europe. Or it may be read more broadly as the fundamental condition of being human. Death is our common, inescapable plague, and faced with it we have choices. I’m going to refer to it in the next post as an example of how “beliefs” differ from “values.”

In this excerpt three characters are meeting up at the end of the day. Rambert is a reporter who is seeking to escape the quarantine in order to be with his wife in Paris. Tarrou is someone who happened by accident to find himself in the city at the time of the epidemic. He is someone who perceives all murder, regardless of the cause, as immoral. Finally, we have Rieux, a doctor who throws himself at the disease with little effect beyond exhaustion.

When the two friends entered Rambert’s room that night, they found him lying on the bed. He got up at once and filled the glasses he had ready. Before lifting his to his lips, Rieux asked him if he was making progress. The journalist replied that he’d started the same round again and got to the same point as before; in a day or two he was to have his last appointment. Then he took a sip of his drink and added gloomily: “Needless to say, they won’t turn up.”

“Oh come! That doesn’t follow because they let you down last time.”

“So you haven’t understood yet?” Rambert shrugged his shoulders almost scornfully.

“Understood what?”

“The plague.”

“Ah!” Rieux exclaimed.

“No, you haven’t understood that it means exactly that, the same thing over and over and over again.”

He went to a corner of the room and started a small phonograph.

“What’s that record?” Tarrou asked. “I’ve heard it before.”

“It’s St. James Infirmary.”

While the phonograph was playing, two shots rang out in the distance.

“A dog or a get-away,” Tarrou remarked.

When, a moment later, the record ended, an ambulance bell could be heard clanging past under the window and receding into silence.

“Rather a boring record,” Rambert remarked. “And this must be the tenth time I’ve put it on today.”

“Are you really so fond of it?”

“No, but it’s the only one I have.” And after a moment he added: “That’s what I said ‘it’ was, the same thing over and over again.”

He asked Rieux how the sanitary groups were functioning. Five teams were now at work, and it was hoped to form others. Sitting on the bed, the journalist seemed to be studying his fingernails. Rieux was gazing at his squat, powerfully built form, hunched up on the edge of the bed.

Suddenly he realized that Rambert was returning his gaze.

“You know, doctor, I’ve given a lot of thought to your campaign. And if I’m not with you, I have my reasons. No, I don’t think it’s that I’m afraid to risk my skin again. I took part in the Spanish Civil War.”

“On which side?” Tarrou asked.

“The losing side. But since then I’ve done a bit of thinking.”

“About what?”

“Courage. I know now that man is capable of great deeds. But if he isn’t capable of a great emotion, well, he leaves me cold.”

“One has the idea that he is capable of everything,” Tarrou remarked.

“I can’t agree; he’s incapable of suffering for a long time, or being happy for a long time. Which means that he’s incapable of anything really worth while.” He looked at the two men in turn, then asked:

“Tell me, Tarrou, are you capable of dying for love?”

“I couldn’t say, but I hardly think so, as I am now.”

“You see. But you’re capable of dying for an idea; one can see that right away. Well, personally, I’ve seen enough of people who die for an idea. I don’t believe in heroism; I know it’s easy and I’ve learned it can be murderous. What interests me is living and dying for what one loves.”

Rieux had been watching the journalist attentively. With his eyes still on him he said quietly:

“Man isn’t an idea, Rambert.”

Rambert sprang off the bed, his face ablaze with passion.

“Man is an idea, and a precious small idea, once he turns his back on love. And that’s my point; we, mankind, have lost the capacity for love. We must face that fact, doctor. Let’s wait to acquire that capacity or, if really it’s beyond us, wait for the deliverance that will come to each of us anyway, without his playing the hero. Personally, I look no farther.”

Rieux rose. He suddenly appeared very tired.

“You’re right, Rambert, quite right, and for nothing in the world would I try to dissuade you from what you’re going to do; it seems to me absolutely right and proper. However, there’s one thing I must tell you: there’s no question of heroism in all this. It’s a matter of common decency. That’s an idea which may make some people smile, but the only means of righting a plague is common decency.”

“What do you mean by ‘common decency’?” Rambert’s tone was grave.

“I don’t know what it means for other people. But in my case I know that it consists in doing my job.”

“Your job! I only wish I were sure what my job is!” There was a mordant edge to Rambert’s voice. “Maybe I’m all wrong in putting love first.”

Rieux looked him in the eyes.

“No,” he said vehemently, “you are not wrong.”

Rambert gazed thoughtfully at them.

“You two,” he said, “I suppose you’ve nothing to lose in all this. It’s easier, that way, to be on the side of the angels.” Rieux drained his glass.

“Come along,” he said to Tarrou. “We’ve work to do.”

He went out.

Tarrou followed, but seemed to change his mind when he reached the door. He stopped and looked at the journalist.

“I suppose you don’t know that Rieux’s wife is in a sanatorium, a hundred miles or so away.”

Rambert showed surprise and began to say something, but Tarrou had already left the room.

Leap Day 2020

Leap Day!! Since this day only happens every four years, I can’t let it pass without a post. So how about something on games?

Last weekend, my buddy Matt drove down from Nashville for Con Nooga. Con Nooga is one of these alternative culture conventions: cos players, board gamers, fantasy & scifi fans, steam punk fans, comic book aficionados, roleplaying gamers… That kind of thing. I’ve always loved the idea of these sorts of gatherings. On one level it’s a big middle finger to the tut-tutting of puritanism. I consider myself a christian, but definitely more in the Matthew 7, verses 1 – 2 camp. Sure, what could be more “frivolous,” than writing fan fiction for Buffy the Vampire Slayer or spending months sewing and putting together a steam punk outfit or min/maxing the statistics of an imaginary character? None of that activity is going to put food on the table or get you ahead at work or mitigate global warming.

Someone decided that they needed to build this.

On the other hand, imagine a society in which everyone was passionate about something and those passions involved participating in creation. That’s what these Cons, at their best, remind me of. People doing things, not to make a buck or to exert dominance over someone else, but simply because they are excited about the opportunity to give voice to their imaginations. Sure, in the U.S. everything has been commoditized, and that goes for imagination. Disney is a company built on the commoditization of imagination. Also, some of the grossest displays of rampant consumerism I have ever seen take place at another con I’ve attended, GenCon. There, crowds of con-goers (many dressed up as elves, pirates, and Storm Troopers) stampede to buy things in a way that is no different from the worst Black Friday crowds. Walk the halls, and there are times when it feels like a scene from an opium den – individuals collapsed against the walls of a hallway in a sort of orgiastic bliss, surrounded by piles of purchased comics, games, figurines, and books.

That’s the stereotype, I suppose, and yet it’s apparently acceptable to get excited about the Super Bowl every year, and really, how is that any different? Talk about a monument to consumerism. And at least no one who is excited about Star Wars is rioting after a loss or running around beating up fans of other films. 

Anyway, like I say, for me, being a fan of something – whether it be bread making, gardening, democracy, fantasy fiction, board games, being a dad – it’s all about the act of participating in creation. Imagining something, and then trying to turn elements of that imagination into reality. There’s something kind of glorious about that attitude.

The look of victory.

As far as Con Nooga, though, Matt and I pretty much stuck to playing board games. We started out with Forbidden Desert. Forbidden Desert is a cooperative game, in which players have been marooned in desert. A sandstorm is raging, and the players need to discover the pieces of a flying machine, assemble it, and escape before dying of thirst / running out of time. The players either win together or all lose together. It’s a cute game. Each player has a special trait (e.g., clear sand faster, move diagonally, carry more water, etc), and as a team it’s important to make the most of each other’s strengths.

Southern Start Blue Plate special of the day.

After a meal at Southern Star with my folks, it was back to the con to play Quartermaster General. Quartermaster General is a WW II-themed game. Three axis countries (Germany, Japan, and Italy) take on three allied countries (UK, U.S.A, and the Soviet Union). There’s a board that pieces get played out onto, but mainly the game revolves around playing cards. Each country has a unique deck of cards that allows for units to be built, for units to attack, responses to be cued, and so forth. The trick is that only a single card can be played per a country’s turn. So the Soviets might have a response that they would like to cue up (e.g., “If an axis country attacks Ukraine, block the attack.”), but meanwhile they really need to send more troops into Russia which just lost all of its troops to a German attack. Also, once a card is played, it’s likely never coming back because a country’s deck is only gone through once. So, maybe it would be best to hold off playing a particular card, and to save it for later. If you are in to “battle”-type games, Quartermaster General is a very tight and compelling game. In Matt’s and my game the Axis countries ran out to a big lead in points, and the Allied countries only managed a last ditched victory on the final turn of the game with the last few cards of their decks. 

Getting ready to start the “third age” of 7 Wonders Duel.

On Saturday, after the Chattanoogan Hotel failed to give Matt hot water (as it did for the entire weekend), we returned for more gaming. Con Nooga has a small but nice gaming library. Check out a game for free, and go play it. So, Matt and I checked out 7 Wonders Duel. Over on Boardgame Geek, I once wrote a review of 7 Wonders that you can read here. 7 Wonders Duel is a 2-player version of 7 Wonders that plays out in a quick 30 minutes. Basically, each player drafts cards into a tableau that represents their “city.” Some of the cards will produce resources (clay, stone, etc.). Some are “cultural” and give victory points, and some are “wonders” that provide a one-off or on-going benefit (e.g., take another turn, get a big influx of coins, etc). Like all games of this sort, there is a bit of learning about the iconography of the game. Symbols on the cards provide a sense of how the card can be used, and Matt and I got confused about this in our first game. But after that, man, this game is fast and enjoyable. I think we ended up rattling off three games in a row.

Humanity 0: Viruses 2

After 7 Wonders Duel it was time to break out Pandemic Legacy. Matt’s son, Hank, had given him this as a gift, and given the coronavirus news, we had to play this. We played twice and basically got crushed both times (although a misunderstanding of the rules in the first game allowed us to win). Ominous? Pandemic Legacy is like Forbidden Desert in that it is a cooperative game. Players act as a team and essentially try to defeat the game. In this case, the game is a cruel god. Viruses sprout up around the world, outbreaks spiral out to nearby cities, and the players run around the board trying plug up an increasingly “leaky dike.” Since this is a “legacy” game, the rules and boards change from one game to the next, and the game tells a story over plays. For example, in the middle of the first game, we learned that one of the viruses was now impervious to all vaccines. And before the second game our characters formed relationships with one another that allowed for special in-game tactics. 

Anyway, after getting kicked around by viruses for a few hours, our brains were hurting, and it was off to Community Pie for some pizza. We came back later for one more game – Memoir ’44. Memoir ’44 is another WW II “dudes on a map” game. As far as these types of games go, Memoir ’44 is pretty rules light. The game board has three zones, and each player draws a hand of “orders” from a common deck. On any given turn, a player puts down a single order (e.g., “move and attack with a single unit in each zone”), draws back up a full hand, and that’s basically it. What makes the game shine are the scenarios…that and the fact that a game never lasts for more than about an hour. The scenarios refer to a particular historical battle, but in game terms, present a tactical puzzle for each player. In Matt’s and my case, we played the Operation Cobra scenario. For the Allied player, the puzzle is all about dislodging the Axis units that are well covered in the hedgerows. There’s no easy approach that isn’t going to leave units out in the open, and armor’s strength is hard to bring to bear. For the Axis player it’s all about stalling the Allied units and managing covered retreats. In our game the Axis looked like it would achieve a quick victory, but ran out of crucial orders for the right flank. The Allies then managed a sudden (and lucky) break through on their own right flank that led to victory.

And that was Con Nooga. Matt stayed another night at the Chattanoogan (again with no hot water), and after a breakfast at Rembrandt’s café, he headed back up to Nashville. All in all, a really nice weekend, and what gaming is all about as far as I’m concerned – goofiness, thinking through things, and catching up with friends. 

Con Nooga on Saturday.