Lisa and her Reflection (4)

PART 4.
This is a short story of sorts that might or might not be part of a larger cycle. If it is, then it is towards the end — part 4 of 6. Maybe. We’ll see. Anyway, rather than dump the story into one large post, I’m going to chunk it up and let it be consumed over a couple of posts. Enjoy.

A cavernous room lay before her, as large as any vaulted cathedral. Its light came from hundreds and hundreds of candles. Some in sconces along the cream-colored walls, but most placed, dripping, on stacks of wooden crates that piled up high along the columns that arched up and disappeared into a twilight high up overhead. Crates and candles placed willy nilly making the room glow with a warm light that was simultaneously diffuse and constellated. 

However, what caught her attention was what was in the middle of the arched room. 

There, resting securely in a metal ring, sat an enormous beating heart. With a whoosh and suck, the heart expanded and contracted, expanded and contracted.  Steaming pipes converged and spread around it, and along these pipes shuttled what looked like ladybugs. They poured into the heart and swarmed out, before disappearing with the piping upward into the dusky dimness. Steps wound up along one side of the heart to a railing-ringed observation platform. With a whoosh and suck, the heart expanded and contracted, expanded and contracted, and the pipes steamed and quivered from the force.

“Amazing, isn’t it?” said a woman’s voice.

She jumped. She had been so astonished by the sight before her, that she had not been aware of the woman who stood watching her. The woman was dressed in a form-fitting black dress and black elbow-length gloves. The woman had swept back blond hair, cut to the shoulders, and sparkling blue eyes. She was the most elegant woman the girl had ever seen.

“Um, yes it is,” she replied

“A bit hideous,” the woman gaily drawled. “But definitely not as hideous as that thing out there,” and she gestured toward the entrance.

“You know about that? What is it?”

“Oh, you don’t want to know, darling, trust me. But you’re safe. She never comes in here. I think I frighten her, the pathetic thing.”

The woman turned and sauntered away, waving one arm gracefully in the direction of the heart. “Such a good little worker.”

Whoosh-suck, went the heart. The girl, fell in behind the woman. 

“Excuse me, but who are you?”

“Tut-tut. Mind your manners. Besides darling,” said the woman, turning to face her, “I was going to ask you the very same thing.”

“Oh, I’m sorry.  I’m, I’m…” And at that moment the girl was surprised that she could not remember her name. “Lisa?” she said uncertainly

The woman gave out a peel of laughter that sounded like a tinkling of bells. She approached the girl and put her hands on her shoulders, and looked into her eyes.

“Oh no, no, no.  Trust me, my dear. You are not Lisa.”

“What?”

“Mmm. She never could keep her slimy hands to herself,” sighed the woman, and then under her breath she continues, “She’s as ugly as they come, and I say that as her loving sister.”  

The woman pulled out a long slender cigarette, and casually lit it.

“Between you and me, though, she can keep her writhings and ink at the bottom of the sea. Some things are best repressed, right? Or at the very least, denied and locked away in the darkest depths. All that cold hard pressure!” And with that the woman shook herself with what seemed pleasure.

The girl was beginning to think that the woman before her was mad.

“Look, Miss…?”

The woman seemed not to be paying her any mind. 

She continued, “Excuse me.  I’m sorry, but can you tell me how to get ou…”  

The girls was cut off mid-sentence by a cigarette butt bouncing off of her head.

“Oh, I’m sorry. Did I do that?” said the woman. 

The woman then turned from the girl, who stood thoroughly confused, and sauntered over to the beating heart. With a casual flick of her hand through her perfectly groomed hair, she turned to face girl.  

“Now, let’s get something straight, darling. This, she said like a game show model displaying a new refrigerator, “is Lisa.”

Whoosh-suck, went the heart. Click, click, click went the thousands of shiny, red bugs.

The woman reached out with one of her gloved arms and patted the heart affectionately.

 “God bless her. Lisa might get riled up, but she’s not going anywhere.”  She turned back to face the girl. Looking her up and down, the woman shook her head and clucked her tongue against her teeth. Her expression was one of pity.

“You? Let’s name you Angela. That was what I always wanted. Now Angela, we really need to get you into some new clothes.”

The girl-now-named-Angela looked down at her torn and soot-covered dress, and suddenly she felt very ugly, like a piece of gum stuck to someone else’s shoe. Her hair felt somehow dusty and greasy, and looking at her hands she saw that they were blackened with soot. Her knees were scraped and dirty. 

“Comecomecomecome,” said the woman, and striding over to Angela she shooed her along to one of the many stacks of crates that lined the walls of the room.  

“Top box. Go on. I’ve been saving them for you.”

Angela looked up at the pile of stacked crates. It did not look particularly sturdy, and the many candles stuck from corners and edges and tops.

“Go on! The clothes. They…Are…Adorable.”

Nervously, Angela reached out and grabbed hold of the wooden top of a crate.  She gave it a shake, and it wobbled. Then taking great care, she began to climb, carefully edging her way around candles and up one step after another. The crates moved beneath her and large shadows drunkenly moved about the room, and a few times Angela froze, straining to bring the pile back into balance, before continuing her climb.

Below her the woman casually paced back and forth, looking up at her with a bored expression.

At last Angela found herself beside the top crate. She blew out the two candles there, and lifted up the lid, and saw inside neatly folded piles of clothes. Reaching in she pulled out a black newsboy hat, a kaki skirt with buckled pockets and a cream colored blouse. Then crouching beside the crate she quickly pulled off her dress, buttoned up the blouse, and began to pull on the skirt. The blouse was long-sleeved and tapered ever so slightly at the waste, and the skirt was snug so that Angela needed to take small jumps as she pulled them up. The mountain of crates shifted beneath her.

“You know, you and I are going to be the best of friends,” called up the woman.

At that moment, though, the crates gave way beneath Angela, and with a loud crash they tumbled to the ground with Angela in their midst. For a moment the room was absolutely still.

Whoosh-suck went the heart.  Click-click-click-click went the bugs.

Angela lay outstretched on the speckled grey marble of the floor, and her head pounded from where it had banged against a crate. Slowly, she stood, holding a hand to her head. 

About her crates and candles — some still flickering and some now out and streaming smoke — lay strewn like rubble. Many of the crates had smashed open and disgorged their contents on to the floor — clothes, photos, wrappers, ticket stubs, receipts, and spool after spool after spool of thread. They rolled and pirouetted across the floor of the room. And if the girl-now-named-Angela had looked closely she would have noticed the squashed pink of a small, tattered walrus, baby teeth, the blue shell of a robin’s egg, and a card brushed over with colored paint. But she didn’t because at that moment the woman gave out a wail and collapsed to the ground.

“You clumsy girl! Now look what you’ve done!” She pushed pieces of wooden crate from her, and sat upright. Spools of thread fell from her no-longer-perfect hair.

And then the strangest thing happened. Before Angela’s eyes the woman began to change. Streaks of grey appeared in her hair, and wrinkles slowly began to spread from her eyes to her forehead and cheeks. It was if, like a balloon, she was deflating. With another wail, the woman leapt to her feet, tottered over to the steps beside the heart.  

“This is the thanks I get. I give you everything,” babbled the woman.  “Everything!”

As the woman mounted the steps, her pace slowed, and her posture became more stooped. With each step she leaned more heavily on the railing, until finally she slowed to a stop.

Still holding a hand against her throbbing head, Angela nervously walked over and climbed the steps until she stood just behind the old crone. “She looks like a little girl playing dress-up,” thought Angela.

“Is there anything I can do?” asked Angela, leaning in close to the woman’s face.

“Youth is wasted on the young,” muttered the crone, and collapsed back into Lisa’s arms.  She was as light as a doll, and Lisa hefted her up and held the old woman against her chest.

“Take,” wheezed the woman, “take me…to the platform.”

Cradling the woman, Angela climbed the remaining steps. The red bugs swarmed along pipes, and the throb of the heart made the platform quiver.

“Closer,” gasped the woman.

Angela edged forward. Daring to look down, she saw the red muscle of the heart pulsing and contracting.

Suddenly, a long, thin tongue shot out from the aging woman’s mouth. It darted out, struck one of the red bugs, and before Angela could even blink, bug and tongue disappeared back into the woman’s mouth. With a sigh the woman closed her eyes and her mouth crunched and chewed. Angela was so surprised by this that she dropped the woman, with a thump, to the platform floor. She took several steps back, and watched.

Once again, the woman was changing. Except this time, she was a balloon taking on air. The stoop straightened, the hair colored, and curves filled out the dress. The woman propped herself up with long, elegant arms, and gracefully got to her feet. She pressed her dress out along her filled form. She turned this way, and she turned that, as if checking for any imperfections, and then she turned to face Angela. Her expression was one of bemusement.

“We women have to have our little secrets, no?”

“I…I,” stammered Angela.

“No darling, we’ve already been through all that.  Not ‘I,’ ‘Me!’”

The woman turned and surveyed the wreckage of the boxes on the floor below.

“My goodness what a mess you’ve made.”

She paused with her hands on her hips.

“Well, we can’t worry about that now. It’s time to go. It’s what you said that you wanted. Come along.” And without waiting the woman descended the steps to the room’s floor. She marched over to a small wooden door that Angela had not noticed before. It was recessed in the wall, and standing beside it, the woman waited for Angela to join her.

“Now,” said the woman, “Make me proud.” She reached out and patted Angela’s clothing and, licking her fingers, she rubbed them against Angela’s forehead. She stepped back to admire her handiwork. “They’re going to love you.” She pushed open the door. “Oh, and darling, try to have fun!”

Perplexed, Angela peered at the door, and then slowly walked through it. With a soft clack the door closed behind her.

Lisa and her Reflection (3)

PART 3.
This is a short story of sorts that might or might not be part of a larger cycle. If it is, then it is towards the end — part 4 of 6. Maybe. We’ll see. Anyway, rather than dump the story into one large post, I’m going to chunk it up and let it be consumed over a couple of posts. Enjoy.

With a start she raised herself up, all senses alert. She held her breath and focused all of her attention on listening.  

Nothing.  

Something had changed. She was sure of it. She raised herself up on her arms, and strained her senses at the dark, strained until it hurt.  

And then she heard it.

A scraping sound, like a heavy sack being pulled across a floor. The sound stopped, and then a few moments later returned.  

“Who’s there?” She called out, but no reply came back.  

The sound approached and grew louder, and now she could hear a rasping breath.

Panic overwhelmed her, and frantically she began to crawl away. She scrabbled across the ground, and paused to listen, gasping for breath.

The scraping had ceased. Replacing it, though, was the unmistakable sound of footsteps. Slow. Confused, but unmistakably searching.

Unsteadily, she stood. Her joints ached from being curled up for so long, and she felt dizzy, but even so she stumbled away, moving as quickly as she could with her hands outstretched in front of her.  

“Oof!”  

Her vision burst with yellow sparks, and she fell to the ground. She had run into a wall. A wall! It was something. The first something she had encountered in this place. 

Ignoring the pain, she crouched and pressed herself as tightly as possible against the invisible wall. It was rough as if made of stacked stones. The footsteps thudded closer, and closer, and then faltered. She took shallow breaths and kept absolutely still.  Every particle in her shook with fear. She heard rasping breath. She heard a shuffle. And then another shuffle, and then the steps began to move away. Bumping and thudding, they became fainter, and more faint, and then ceased to exist. 

And now we have come in a circle, back to the start of our story. We are with a girl, once named Lisa, in a very dark place, who is blindly feeling herself forward on her hands and knees. She whispers to herself over and over, “There has to be a way out,” and her hands pat out frantically in front of her, over the dusty stone. 

Suddenly her hands find only empty space. So suddenly in fact did this happen that she almost falls forward, and she feels a cool, wet breeze blowing upward from an even greater emptiness. Her hands shake, and she thinks, “What if I had fallen into that?” 

Slowly, keeping her fingers cupped over the pit’s edge, she inches along on her knees. 

But her thought is interrupted. There it was again, faint but definite, the sound of the steps. How long had it been following? Days? Weeks? Years…the thudding, erratic steps coming for her.

“Please,” she sobs, and then under her breath, “You have to keep going,” and moving away from the pit, her hands feel quickly in front of her. So quickly, that at first she doesn’t notice that the stone floor has changed to something smoother, and then her hands are rising up a wall. Not rock, but concrete maybe. Wobbling she stands, and once more begins to run, her left hand keeping contact with the wall. 

At first nothing changed. And then far ahead, like a pin being stuck through a black piece of paper, a prick of light appeared. It flickered like a star. It bobbed like a firefly. Gradually, dustings of light began to coat her surroundings — a vaulted ceiling of brick, a marble floor, and cement walls. Ahead, she saw an archway grow and pouring from it light, and warmth and a familiar sound. Not daring to look behind her, she strained herself forward toward this light.

Gasping, she reached the archway, and paused. The light squeezed into her vision too, too bright, until finally, her eyes, like dried sponges slowly began to soak in the sight before her. 

Lisa and her Reflection (2)

PART 2.
This is a short story of sorts that might or might not be part of a larger cycle. If it is, then it is towards the end — part 4 of 6. Maybe. We’ll see. Anyway, rather than dump the story into one large post, I’m going to chunk it up and let it be consumed over a couple of posts. Enjoy.

Pump-pump. 

She heard a heart beat. In the inky black, she heard a heart beat and breathing. 

Pump-pump. Gasp. Pump-pump. Gasp. 

Then she sputtered back into oblivion.

***

Pump-pump.

Pump-pump.

She could not see. Everything was pitch black. She could feel that she was sitting with her feet tucked under herself. But the darkness was so thorough that she could not see herself. Through her clothes (a doctor’s gown?) she felt the coolness of a hard floor. Blindly, she lifted fingers to her face, and felt them push against the flesh of a cheek. She slowly let them pass over the smoothness of a forehead. Then she lowered her hands to the floor in front of herself, and, kneeling now, crawled herself forward. The ground was smooth. Stone perhaps. Or concrete. She worked in a tight circle, and in all directions that is what she felt. Stone, smooth and cool. No walls.

Her eyes began to play tricks. A patch of light floated across her vision.

“Hello?!”

She crawled forward. Shapes seemed to rise up, flowing and pulsing across her vision. They snaked up, writhing in all directions.

“Hello?! Can anybody hear me?”

She paused. Her ears rushed with the silence.

Pump-pump. 

Pump-pump.

She lowered herself gently to the floor, lay on her side and brought her knees up to her chest. Deep down inside she heard a small voice say, “I always knew they would abandon you. Why wouldn’t they?” And then she fell asleep.

***

How many times she awakened and slept she did not know. At first she crawled, patting her hands in front of herself, but eventually she stopped. What was the point? Nothing ever changed. The cool stone. The drenching blackness. And silence, except for a heartbeat — a breathing. These sounds of a body were not connected with her thinking. They existed elsewhere. And so sleeping became waking, and waking became sleeping.  

Dreams coursed around her. She was flying over green trees. She was walking next to a boy, and he looked into her eyes. She was buttoning a shirt, only to find the buttons coming undone even as she moved on to the next. She was in a cellar, and something was coming down the steps, coming down to kill her.

Lisa and her Reflection (1)

PART 1.
This is a short story of sorts that might or might not be part of a larger cycle. If it is, then it is towards the end — part 4 of 6. Maybe. We’ll see. Anyway, rather than dump the story into one large post, I’m going to chunk it up and let it be consumed over a couple of posts. Enjoy.

She listened. The sound. Was it receding? Bumping and thudding it went. Yes, bumping and thudding, it became fainter and fainter. She allowed herself once more to breathe. Her heart beat quickly, and in the darkness that enveloped her, she eased herself away from the wall of cool stone that was at her back. Desperately, she again stretched out her hands and felt her way forward, trying to keep her breathing shallow and quiet. 

“There’s no way out!” cried a voice in her head.  

She fought down the panic. “Somehow I got here,” she thought.

There’s no way out!” cried the voice again and again. “There is no way out!”

“Where am I?” she whispered out loud. “Where am I?”

***

Once upon a time there was a girl named Lisa, and she found herself lost in a place so inky black that she lost her name and began to doubt that she even existed. And once upon a time there was a girl who chose her own name, who rediscovered herself as both a bird and a young woman, and who built from her own words a castle surrounded by rich gardens that rolled out like a dress during a deep curtsey. It all started, though, when the girl named Lisa came home from school one day to find that her mother had cleaned out the closet in her room. 

For years the closet in Lisa’s room had been dependable, and like so many dependable things in life, she had taken it for granted. It had been her one proof, though proof of what, exactly, she was uncertain, as she had bounced from her father’s to her mother’s, from camp to camp, and from school to school. All she knew was that the proof was necessary. The closet contained calendars with photos of pop stars (a gift from one of her mom’s boyfriends), coffee mugs from Disney World (from when she had gone with her dad and his new wife), a telescope, puzzles of the United States (to help her learn her capitals), a tent (a gift from her mom’s former boyfriend), shoes, necklaces (gifts from the parents of her mom’s current boyfriend), ticket stubs from movies that she’d gone to on birthdays, foil wrappers from Easter chocolates, baby teeth she had lost, the crushed egg of a robin kept in a plastic bag, and mixed in down at the very bottom of the pile were spools of thread and a card streaked with colored paint that someone had given her when she was little. Willie, Lisa’s stuffed walrus from her childhood, was stuck under a teepee that was part of a story line that went with an expensive set of dolls.

One Sunday night, however, when Lisa came back from her father’s she found her closet emptied, and on her dresser was a music box.

“Mom, what happened to all my stuff?!”

Lisa’s mother stood in the doorway to the room, with her usual pasted on smile.

“How about a ‘Thanks mom’?” said her mother. Here voice had a cheerful quality to it. The kind of cheerful that never listens. 

“I can’t believe you! Those were my things.”

“Lisa, it was a big mess. It was attracting bugs for goodness sakes, and it exhausted me. Do you want that? And this is so much better. Didn’t it exhaust you?”

Lisa walked over and fell backward on to her bed and stared at the ceiling.

“Besides, next year you’ll go to college.”

“So?”

“So? You don’t need that junk anymore, and anyway, I’m the one that lives here full-time. God, what will a roommate think of you? Little Miss hoarder.”

Lisa still lay on her sofa, staring at the ceiling. Her mother stayed in the doorway, waiting, as if still expecting to be thanked.

“Did you see the music box I got you? The therapist says that’s what you nee…”

As the words were coming out of her mother’s mouth, Lisa was up. In one motion she grabbed the music box and hurled it against the wall. With a crash, the box splintered apart and fell to the floor. In a fury Lisa turned towards her mother.

“I…Did…Not…Ask…For a music box,” she said with a cold fury. Her words were like a hammer. Hit. Hit. Hit. She panted, and glared straight into her mother’s eyes. Her mother, though, had not even flinched.

“Fine.” Her mother held up her hands. “Fine. Be your father’s spoiled daughter.”

“Get out!” screamed Lisa. “I can’t wait to be out of here!”

“That makes two of us,” her mother replied, and then turned and walked away, the door left open to the room as if to show the world Lisa’s shame.

For years it had been like this — a life lived as if she were a clenched fist. If Lisa’s mind still contained memories of Sebastian, Willie, Verbs, and the City spread about like the panes of a stained glass window, well, she wouldn’t have known where to find them. Her dad had remarried, and Lisa had smiled at the wedding and carried the ring on a pillow. There were half-sisters born, and the young son of her mom’s boyfriend brought into her life. She went to camps in the summer, played field hockey in the fall and soccer in the spring. She had friends who gossiped about each other and with whom she chatted online. Mostly, though, her days seemed to skip across her life like a stone skipping across the smooth water of a lake.

Did Jared like her?

OMG, she totally wasn’t ready for the math test!

She should write for the newspaper so that she’d have a better chance of getting into a good college.

 Skip. Skip. Skip.

Her mother’s boyfriend had moved out, and her mom had gone on a trip. That’s when Lisa had lived with her dad and his new family full-time. And then her mother had returned, and there was nastiness, and lawyers, and Lisa had moved back in with her mother, and a judge had decided that her father owed her mom money.

Skip. Skip.

And around her, like the passing of the night with its vibrant city lights, the Land of Not (which is what the city had used to be called) had slowly, imperceptibly awakened to a dawn emptied of color. Where it had once been a stained glass window, it was now a sidewalk – flat, hard and stretching out as far the eye could see. Each day was one foot in front of the other. Where the King’s tower had once stood was just another building, with scaffolding up its side. Where the ocean had once caressed the warm sand, were plastic cups, and other debris blown off the streets. And where the frogs had once called along side the river bank, a highway rushed and rushed and curved its way along the bay.  

But none of this mattered. In fact, none of it was even noticed. Lisa did not care about things like that anymore. 

It was not to say that the city had become ugly. It hadn’t. The water towers on the roofs, and the brick buildings, and the skyscrapers, and the roads crammed with honking cars – all of these things still carried the same energy of dreams being broken down, piece by piece, and then built back up. No, the problem with the city, if indeed there was a problem, was that it now held Lisa in an embrace so tight that breathing was becoming difficult. An embrace so tight that it was hard to even see the brick buildings, the skyscrapers and the roads crammed with honking cars. They clamored and pounded to be admitted into her mind. It was like the city, once so fluid and ever-changing, had hardened, and hardened, and hardened some more, and Lisa was caught on the inside, crumbling. There was always something that needed doing. Errands to get done. Homework to do. Things to buy, and therapists to see.

Skip. Skip. Skip.

Was that her heart departing her? Over the buildings and out to sea it went, while left behind was something black an oily, or black and hard, or maybe, just empty.

“Lisa! We have to get going!”

Lisa woke with a start. It was the next morning. She turned and looked at her clock. 6:45. She had exactly 10 minutes to get ready for school. Pulling herself out of bed, she grabbed a pair of pants off the back of a chair and slipped them on. Even as she did so she cleared away the strands of dream that still stuck to her face like a spider’s web. It had been something about a flood. Something about tentacles — dark and caressing her with a trembling love.

“Lisa?!”

“I’m awake!”

Lisa pushed the dream from her mind. It unsettled her. She pulled on a t-shirt from an already open drawer and stood before the mirror.  

That was when she noticed that something was not right. Something that she could not place, like an itch that doesn’t disappear with the scratching. There she stood.  Her black hair had its usual morning pre-brush straggle, and when she reached her hand up to touch her face, her reflection reached up and touched its face, too. But Lisa could not escape the feeling that who she saw in the mirror wasn’t really her – that the person looking back did not belong to her.

“I’m going!” she heard her mother yell up from the first floor.

“All right, I’m coming!  I’m coming!”

Lisa grabbed a brush, scooped up her socks and shoes and ran out the door. And as the sound of her bare feet clumped down the steps, if anyone had been there to notice, they would have seen that her reflection remained in the mirror — that it narrowed its eyes, and smiled, before stepping out into the room.

All that day at school Lisa felt off. Her head felt light, and it seemed like her voice came from far away. It was lunchtime, and she was sitting with her friends, Jenny and Kate.

“Didn’t you used to be friends with Sebastian?”

“I don’t know if I’d say friends.”

“Oh god, Jenny, not Sebastian again. He is so not your type. Do you think he’s her type?”

“Well, I don’t know.”

“See? Lisa says he’s not your type.”

“Oh be quiet.”

“Jesus, who’s Miss Sensitive? I’m just saying – wait, rewind. You knew Sebastian, right?”

“Kind of. We played together when we were kids. I think my parents knew his dad or something. It’s sort of embarrassing.”

Lisa’s two friends stared at her, waiting for her to go on, but she didn’t. She just stared at her salad, and then put it aside. For just a second she felt herself drifting up from her seat. Lisa grabbed hold of the table, and looked at her friends. They hadn’t noticed anything. Instead, Jenny looked at a cheese stick that she was holding in front of her face, before letting it drop on to her tray..

“Ug. School food is so disgusting.”

“Wait. Do you want to hear disgusting? I heard that Erica saw Mr. Ziniac kissing Mrs. Palmer in the teachers lounge!”

“Kate!” Jenny shrieked. “Are you trying to make us puke?!”

Lisa pasted a smile to her face, but inside she thought, “What’s wrong with me?”  She felt weak and hollow, like she was water pouring out through a sieve. And as she felt herself emptied she began to feel cold. Her body shivered, and her teeth chattered. The feeling continued through French, and Calculus. Lisa was sure that someone would notice, but classes went on as normal, until finally school let out, and Lisa walked home.

The streets seemed to rock beneath her feet, and once Lisa had to reach out and hold on to a metal lamppost because she felt as if a breeze had lifted her from the ground.  Cars honked and baby strollers and pedestrians continued to stream around her. The sun shone down on the awnings of the shop fronts and restaurants, and no one noticed Lisa’s struggle. With all of her will, she managed to get home. Her hands shook as she opened the lockbox and took out the key.  

Leaving the door open, she entered the empty house, and began to walk up the steps to her room. Each step wore her out, and she paused half way up the stairs in order to rest her forehead against the wall.

Finally she made it to her room.  

The last thing that she saw was the shattered remains of the music box on the floor.  

The last thing she heard was a voice coming from behind her.  

“Happy birthday,” it said.

And with a puff, Lisa felt herself blown out like a candle. 

An Easter Mosaic

Ringing the bells in Prague after 9/11. I grabbed the photo in 2001, and I am not sure of the source.

I’ll get back to the psychology of “feelings” soon. In the meantime, here is an Easter interlude.

When the Trade Center Towers came down in 2001, I was living in Konstanz, Germany. I was up at the lab at Uni Konstanz. A sunny afternoon, and I was checking the New York Times site like I did most afternoons. There it was: a breaking story of a plane that had accidentally collided with one of the towers. I remember it as just a headline, but after a refresh there was a photo with a hole and smoke. Then the site slowed to a crawl, and apprehension set in, followed by the reveal of a photo showing that the second tower had been hit. That’s when I left the lab and rode my bike back home to be with my then wife and my daughters. There we huddled to watch the news on the television. The images of falling bodies. The gaping holes vomiting smoke. Another sudden jet crashing into the Pentagon in D.C., a scramble of reports about additional attacks, additional planes, firefighters rushing up stairwells, and the scrambling of military jets. And then, one after another, the two towers fell.

As much as I remember the vulnerability, shock, and fear for my young daughters, what I also remember is the immediate solidarity in the days that followed of ordinary strangers. German colleagues and students who checked in on me and my family. The city-wide moment of silence. The flowers left at embassies. The candle-light vigils. The tolling of bells.

Munich, Germany after 9/11 2001. Also an unknown source.

Over the years, Easter for me has come to signify an acknowledgment of sacrifice in the service of healing and renewal. It’s the doctors, nurses and healthcare workers who have thrown themselves into the breach of the COVID-19 pandemic. The parents and grandparents who cared for us when we were children, washing our clothes, wiping our noses, and massaging tightened calves in the middle of the night. Friends who have helped in moves. The ordinary workers in Konstanz, Germany who took a moment to stand quietly at noon in solidarity with those hurt and killed an ocean away in the terrorist attacks of 9/11. Easter celebrates these behaviors: small, often betrayed, but load bearing. This after all was the soil of Christ’s ministry: the peacemakers, the persecuted outcasts, the mourners, the ordinary. And the lesson of Easter is that despite the mocking humiliations of the powerful — the taunts of “Freedom Fries” and “Old Europe” or the resistance to covering the medical bills of first responders — despite these attempts to silence and punish and deaden, the spring soil will continue to answer the sun’s call.

This particular poem I wrote as a sort of Easter mosaic, and it is dedicated to a couple, Juan and Ute Delius, who showed my family tremendous kindness when we lived in Germany.

Lazarus

(For Juan and Ute)

 

 

1.

Draw thread through skin

numb & engraved in winter.

The grief-sung vertebrae

of wind chimes at night,

the ululations of church bells

over field and orchard — once

pear, plum, wheat and apple.

Come, then, senescence and hum your metal.

That sing-song gestern caught gaunt and callow

like moths circling the harbinger of heaven,

like constellations sirened numbly forward —

a music of nets in which the dolphins thrash

when the lines are drawn in, anchored, and pulled tight.

 

 

2.

This heft of enwrapped waters,

draw upon convenient draw,

caught trumpet of consciousness

liquored like a dog at its wounds

or the way the white wake

of a plane, far above,

silently streams, spreads and splays.

A depth that contains the scattered flurry of vision,

arranged like pastels haphazard in the box.

The cargo of a former life carried elsewhere,

memories resting like water in the pitted roads

where birth gives way to the night-time swarms,

the jazz of corruption begat from reflected heaven’s breeding.

 

 

3.

Each moment tapped,

pregnant and fitted,

as if laying stone

to make a road.

So many eyes staring

like a peacock’s bloom,

an exchange of wild flowers for a

a sunset spread red as wine

     Produce in the church square

Potatoes        Carrots and Apples

      Kilo weights, raw and cold

Flesh from the butcher

sliced and jointed,      jointed and drawn.

 

 

4.

Too sweet for some,

Like a custard’s breath –

hard in learning,

awkward in fact.

Unbecoming’s active pursuit

like a pole to the shadow cast —

an anchored still to the sun’s pass,

that cloth that wipes over and over.

Over the ever-opportune weeds that burst,

yes, burst forth into their calling –

a pack of girls keen to see

upon whom the glance will fall.

 

 

5.

Yes, with bracken

grows nettle.  Wrappers

and peels. The plastic cups.

Gravy, puddings, ketchup.

Cars and trucks,

and cars and trucks,

and trucks and trucks.

24 7, death she moans this rush,

planted heavily and sucking breath,

while the three ladies, their buttocks sway

the gospel of fate, a necessity bellowed out,

rough ropes in hand, with each pull and release –

thus, they frog-grunt their imprints of industry.

 

 

6.

Tongue-tasted,

coins swallowed

and the candle lit.

Night ember, social safe

and tucked in bed.

Now cargoed purpose sleeps,

The tethered morning chorus

guarded and groomed, mulched and clipped.

String of fate and string of rescue, spooled

and strung to where the delivery trucks come,

to where the workers call at the dock —

those many voices of dying, calling and calling

in their approach to the maze’s bloated point.

 

 

7.

This, night’s new year.

A cast of sparks —

And then, percussive born.

And the bells beat.

And the bells beat

more flares of midnight

crackling out light

   Roosted buildings, cobbled street.

Hollowed.  Inverted.

      Explosive moments.    

Distant reports

For a city that wrestles drunkenly forth

in answer to the fireworks from across the water.

 

 

8.

Red among yellow.

Red among green.

Sailboats laid upon the lake

hot air balloons above

the distant mountains

roaring fire and straining at ascent.

How loss becomes heartbeat

swaddled in such feminine hands.

How familiar dawn, stray thread comes

with the strangled raucous of crows,

hop-hopping, and lifted up

into the trees that buckle the graveyard’s fence.

Your eyes have been pocketed across an ocean of desire

bilk and seepage with the risen.  Again, Lazarus, rise.

 

 

9.

Rise frogs of spring.

Each season a thought —

patterned Nature’s pull.

Rise gravestones.  Rise stars.

Constellations of dirt,

mausoleums of heaven,

risen ferment and fallen flame.

Rise the ants to work their mounds.

Rise the teller to auger her grounds.

Rise the children on their ways to school,

Lent back and hand-less, coasting bikes

before the rain that will spackle the lake.

Shutters shut.  Eyes open.  Rise Lazarus.  Rise.

 

My daughter, Delphi, chasing a soap bubble when she was little.

A Declaration of Hope

A post in honor of the Christmas season. If all goes to plan, I’ll have more to say in the coming year about “declarations.” I encourage any readers to come up with their own. Principles to reflect upon and hold up as a compass or perhaps a challenge. Hope can be a habit, an emotion, a value, or even a perception. In other words — a belief. Too often, perhaps, it borders on fatalism. The hope of my own believing is more active and defiant than that. What’s more punk than hope? Not much.

Habits learned in darkness 

Took this photo at Beacon Dia. For the life of me, I can’t recall the artist (and the Dia website isn’t any help). Isn’t it amazing how the spray of white paint on black is all you need to see curves and shape?

The problem with being –“etre” — is that you are lots of things you don’t want to “etre.” Passive, often afraid, insecure, a little bit lazy, and more than a little bit angry.  Avoiding. That’s what you are doing.  Like a beach that fools itself into thinking it is building something by letting the tide repeatedly wash over it. You can point to many instances in your life when you ran away from what was possible or watched yourself inhibit what was possible.  Maybe you were waiting for salvation and simultaneously hoping it would go away:  hoping for a message, a sign, that would clarify, absolve and unify your life, thinking, “I can’t do anything now, but I will be able to accomplish something grand as soon as it comes,” that thing which is an answer. 

While you wait for it to come, you stay in the dark. But you’ve been in the dark so long, waiting, that your eyes have had time to adjust and you realize that it is possible, in fact, to see in the dark: the darkness is not as absolute and unqualified as you thought at first. At that point, you say, “This isn’t so bad, I can see my way through this cave while waiting for the light,” the answer, which may or may not be at the entrance/exit.  But how much do you have to believe in the light to keep waiting for it when you can see well enough to survive where you are? 

And what is the dark, anyway?  It’s all of your habits and fears and weaknesses: I just wasn’t meant tos; faith predicated upon things not working out; wishing for external, effortless, even inherited legitimacy — all the while knowing deep down that true paths to self-value aren’t simply given.  

Living in the dark one can’t avoid fantasies of escape.  They spring up like dreams, both beautiful and nightmarish.  Thoughts about suicide… coming in waves, but never do you think in terms of what might be missed (after all, why would you miss the dark?), more along the lines of release, a way out, a well-reasoned evasion strategy.  And then there are addictions:  Hoping that another person can lead you to the light, or show you the escape hatch, or become the escape hatch.  Writing words and words in order to avoid, taking walks in order to escape, chalking up “accomplishments” all in an effort to crow-bar yourself away from the reality of darkness. Addictions that are seductive and frantic and desperate and “passionate:” despair instead of sadness, enduring suffering instead of acting bravely, collapsing inward instead being resolute.  Like buying a cup of coffee from the departmental coffee machine and drinking it on the way to class instead of taking the time to acquire good beans, make an espresso and pour warmed milk into it. 

The worst part about the cave is sensing the light, but not feeling capable of moving towards it.  Maybe sometimes you even feel you’re on the verge of making a change (or at least that’s the story) and then something happens to show you how, frankly, impossible change is for you.  And maybe you wonder, “Who am I kidding by doing the math — counting years, reworking the budget, making the checklists?  This is it, man.  This is who I am. If I haven’t done it by now, what are the chances?”  It’s like that horrible feeling of the clock ticking down and ticking down while you remain in a situation that is being dictated by someone else. Or maybe you can’t even sense the light, but you can remember it.  You know it existed once. Is the darkness payment for once being in the light?  You say, “Everything has a price:  the going price of beauty is health; satisfaction costs exactly one life.” 

So maybe this explains why you can’t quite believe in the light.  Could it be that waiting for all these years, desiring an “ultimate answer,” is really just a trick to convince yourself to stay put, to maintain the life of darkness and shadows in which fantasy can still be believed in and regret over past decisions can sap all available energy?   

The revelations of vision

A night path and lightning bugs

Maybe the cave would be enough.  Maybe fantasy and endurance and the fetal position would suffice if the cave were only darkness; if reality were only, purely darkness; if you could convince yourself that the memories of light were not real, or even if they were real once, the light is gone now, irretrievable.  Time to grow up and be responsible.  But like an itch, there is a pinprick of light: turn away, or cover your eyes, it remains, interrupting sleep, ending fantasies, requiring active avoidance.  The light refutes — no, actively changes — the darkness.  Fantasy becomes cheap, and there, way off in the distance, there is the possibility of something different.  The light is true, and it is demanding, so much so that you sometimes think you can’t take it anymore, that you want an easier and more convenient life.  But at the same time there is a part of you that is excited because the light is there, and it is beautiful and it lets you, finally, see. 

Vision brings with it the possibility that you can act and you can move — reach instead of hope for the lucky stumble.  You see that, indeed, goals are external things not achieved by the internal states of dreams and fantasy.  It’s like realizing after many years of college that the key is just to go to class, or realizing that the goal in a race is actually to cross the finish line as fast as possible.  Simple realizations.  Maybe obvious to some.  And no doubt you’ll use these thoughts about how easy it is for others to stay in the dark.  But the “damage” has been done.  You can’t help but become suspicious of your sealed fate because now you can see that light is found and achieved and lost.  That you’ve had to work to not notice the light, just as you have to work to see it. You know now that strength is more than passive endurance.  What used to be hoarding “Good Things” to make the dark more bearable becomes a commitment to try to act in accord with that which is good.  The light, you see, changes not only the external world, but the internal one, as well.   

Of course, this is no Hollywood movie.  All those habits, acquired over years, do not just fall away.  And you are bound still to stumble — you are still in the dark, after all.  Nonetheless, this first choice — to get up, to stand, to move forward — now that is a leap and it does terrify.   “You’re in danger, you’re exposed, you’re weak!” is the voice of your mind.  All you can answer is, “I trust the reality of the light.”  And you realize that the light has engendered your body.  You see now that you really are a woman;  you see now that you are a man, not just in fantasy, but in fact.  And in a way, all of this new information requires a new kind of acceptance, a different kind of passivity. You know by now that passivity is dangerous, that it is something you need to fight against so that it doesn’t take over, but this new passivity is wonderful because it’s only possible with trust. As a heart is the body of a soul, and around a heart beats a physical life, you begin to see that it is possible to be reformed from the inside out.   

Right now your only goal is to move toward greater illumination.  So, you set up schedules and come up with rules: Set money aside.  Avoid dissipation of purpose whether that purpose involves exercising, staying in touch with friends, listening to music.  Value the finish more than the initiation.  Get through the drudge.  Strength — that is what you want, and need, because the cavern still surrounds you, even as you walk.  You know that to reach the entrance of the cave, you have to be resourceful.  You can’t be wasteful.  And this in itself is a new sensation.  It is something to be grateful for.  And only in this way is living in the dark neither bleak or doomed because it makes you attentive and sensitive to the light.  For the first time you see the surrounding rock of the cavern for what it is so that when you do stumble you understand that good and bad things happen, but they really are independent — that living is experiencing/feeling both the good and bad things fully. This is also why it doesn’t make sense to go looking for signs.  Being open to their possibility, though, is a different thing.  Signs are not destiny or judgment or the word of God.  They are more about the meaning that goes along with action or potential action, and that meaning can be accepted or rejected. 

At first, the walking is difficult.  How many years were you fetally curled? You don’t know. Yes, walking is difficult and you are not even sure if you remember how to do it:  you try out anger, telling the world, “Fuck you, I’m doing exactly what I want, when I want it.”  Or maybe instead you think in terms of sacrifice — that you will make your life a bit harder than it has to be and that will make you virtuous, where virtue means bringing yourself into the light.  But then you see these mental tricks for what they are. It’s not about selfishness or sacrifice: it’s about feeling like you are enough so that you don’t have to mediate between yourself and how you act in the world.  There’s no need to self-censor or to put up guards to protect yourself.  It’s about chipping away at the middle conscientiously, in mind and in practice, all along, experiencing life healthy enough, safe enough, confident enough, trusting enough — so that living becomes automatic.   It is like traveling alone in another country.  Or going out with a friend, drinking just a little too much beer and talking about philosophical things.  It is swimming in the lake in the summer, hiking in the mountains and skiing in the winter.  Appreciating the food, and the way it is eaten, prepared and sold. You see that it is possible for your life in the light to be miraculously easy…easy not because the demands are easy, but because those demands are seen to be so clearly right in spite of their costs. 

Then a strange thing happens.  You have been moving toward the light, scrabbling over rocks, taking detours, all under the impression that to do so was a leap of faith.  And it was.  Like driving a car and focusing down the road versus looking at each painted line.  The light is the answer.  It is a demanding and overflowing thing that you want to experience as clearly and as often as possible.  But now that you are moving, you realize that to move is no longer a leap, but a choice of one existence over another.  And the choice is not between good and evil, between right and wrong; it’s not that simple: it’s more like choosing right over less right.  Only in the light can you see the finer distinctions between things: justice is more right than beauty, the life of earth and of land is more right than the life of commerce, a community centered on healing is more important than one centered on consumption. You choose justice over beauty at every turn and earth over commerce in every act of living.  And even though the choices are right, they don’t eliminate fear or pain. There is no way to get around the pain of any choice — either guilt and terror or sacrifice and terror and defeat and bitterness.  But you trust your choice, just as you trust the light. 

At the entrance: the life of sunlight

Make a wish

So, on you go.  The light brightening more and more of the rock around you, revealing more and more of what a cavern is when shadows are pulled back.  And maybe your steps begin to falter.  Yes, you’ve become accustomed to light, but what is actually outside the cavern?  What are you really moving towards?  Might it not be best to camp out right here, the light pouring in from the entrance that is still a ways off?  Isn’t it possible to live in the warmth of the light and the safety of the shadow?  Just enough reality and just enough fantasy.  Well, that’s the thing.  You can only guess what the world is like outside the cavern.  You can only hope.  What comes next?  Etre, strength and mystery.  All “shoulds” fall away.  All guilt and all shame.  You will be compelled to incorporate without fear (which is different from “consideration”) of any other’s reaction.   Become…What?  That is the mystery.  Being through faith.  Those are the words, but there is no way of knowing if they are true or not, at least not while you are still here.  What you do know is this: that part of you will be brought into the light of day, and that this is a choice, and you know, even, that you made this choice long ago.  You chose light.  You choose light.  Every step is as preposterous as the last.  Yet they happen.  It was and is true.  Maybe you can’t figure out what awaits.  For certain you can’t.  It is the stone thrown that never reports its landing.  But that is true of every step taken.  You might not have planned it or puzzled it all out — the possibilities were given to you by the confluence of darkness and light — but you were prepared, you did plan and you did choose to walk into the light.

Devil’s Shoals

I’m no fan of bad poetry, but I do understand the lyrical impulse — that attempt to connect pure sensation with something available to the declarative self. So, here’s something I wrote a while back, while living in the Northeast but thinking of my two grown-up daughters and reflecting on memories of growing up, myself, in southeastern Tennessee. Btw, as I continue to learn about HTML and the ins and outs of WordPress, I apologize for wonky layouts.

Devil’s Shoals

(for Delphi and Lydia)

 

Before the Hiwassee widens like a settled ribbon

of sunlight across the hills, husk yellow and green,

where the old train bridge passes overhead — 

 

before the widening slow of the river

at the gravel lot filled with the church buses

that carry the tubes for the weekend faith groups,

 

lies the last rapids, the Devil’s shoals.

 

And when I was a kid canoes would eddy out there,

and pull up to the beaten path that stepped up

boulders and blackberry brambles.

 

Where the path leveled we’d follow

the tracks laid straight, blasted out of shale,

and then down the embankment to slip into the water

 

that sucked as smooth and as cold as any promise ever could.

 

Wading out into the current, we held hands like sentries,

through the rushed lashings, our breath catching

when the water hit the belly, until

 

we dropped, one-by-one, buoyed

by our life jackets past the shore’s retreat

as we floated down into the mouth of the shoals

 

desperate of breath and arms flailing.

 

Water slapped the face and pulled – pulled us below

to where darker flows reversed and crossed

under the heavy waves and sunlight.

 

Our sneakered feet kicked out and fought,

our lungs ached in their insistence, until hands

joined the pull of preservers to heave us heavenward

 

where eye-blinking vision washed up like fish.

 

Once upon a time a boy lost his strength in the shoals,

and crying out to his father for help,

was carried past the hitched boats.

 

Another time a boy who had lost his father

and seen his mother remarry a Methodist minister

took to the tracks, and walked the mile to the parking lot,

 

 each stubborn tie after each stubborn tie hammered firm.

 

Either way, the devil sought us all —

like a  misguided gift to the homesick-buried

in a place where breath and Will battled for supremacy.

 

And ever when the day closed, tired and content,

the youth directors gathered up their charges

and bussed them back to their beds

 

still hearing the rush of the shoals in the dusk of mid-summer.